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When the lines blur

August 28, 2017

When you're on a mix, a massive mix..... like a 200 + tracks and 50 + bus's per song and your client (and good friend) Taras from The Lulu Raes asks/tells you that he doesn't like the sound of the perfectly recorded Steinway Piano and fells like the shitty upright at my studio might fit a little better. You're never more acutely aware that the lines between mixing and producing an album have never been so blurred. A balancing engineer we are not. Changes in arrangement, instrumentation, even vocals are recorded right up until it gets sent off to mastering these days. Sometimes even after.....

 

 

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dylan

Adams